Archive for August, 2008

Observational Figure Drawing and Comparative Measurements

Monday, August 11th, 2008

This is the first part of a series of free online tutorials which guides you through the various steps taken to produce a classical figure drawing.

2B and HB graphite pencils are my main two grades of pencil. Some people also prefer to use a 2H, although I would not initially recommend using hard pencils like the 2H because they are more prone to irreversibly damaging the paper through indentation.

By using a mechanical pencil and changeable, replaceable leads, you gain a number of advantages:

They are quicker to sharpen to a finer point; They are more portable (lots of leads and different grades can be carried easily); The leads cost less than wooden pencils; There is no need for a blade (Xacto knife or craft knife) to shave off the wood and there is less waste produced from sharpening. Although there are all these benefits, some people still prefer to use normal wooden pencils, as they feel that the weighting is different and they are more natural.

To sharpen the lead a two-grade sandpaper pad (made by Faber Castell) is used. A grey (not white) putty rubber is good for erasing, as it is less destructive to the paper.

Drawing tools wooden box including a putty rubber, masking tape, red measuring cotton, sandpaper pad, mechanical pencil, graphite pencil leads and a stubby brush for subtle shading techniques

Street Painting in Florence ~ Chalk Drawings after Botticelli and Vermeer

Sunday, August 10th, 2008

Street Painting (Chalk Drawing) is hard, intensive drawing work.

You are constantly observed by a wide range of passers-by and under pressure to deliver and finish a work that the majority will admire.

If you don’t do something at least ‘pretty good’ you could be in for a barrage of criticism from all sorts of people – So I would say it is a little bit stressful too!

Girl with a Pearl Earing - Street Painting by Peter McClory

Girl with a Pearl Earing, and Passers By – Street Painting by Peter McClory

Well, despite all that, it’s worth it to see a smile on so many people’s faces as they walk past, or stop and watch.

Basic and Essential Drawing Tools and Materials

Sunday, August 10th, 2008

If you want to start drawing, and haven’t done it before, you’ll probably need to get a handful of inexpensive drawing tools before you begin!

First of all, you’ll need a pencil. If you can, I suggest you buy a mechanical graphite pencil with interchangeable leads. You’ll need HB and 2B Graphite leads.

If you can’t get hold of a mechanical pencil with interchangeable leads, you’ll need a small craft knife or Xacto knife for the first stage in sharpening your wooden pencils.

The fundamental drawing tools you'll need to learn to draw academically

The fundamental drawing tools you’ll need to learn to draw academically, minus the drawing board.

You’ll also want a small, usually wooden sandpaper pad for sharpening your pencil, and a grey kneadable eraser (putty rubber).

Also, get a Drawing board (about 50cm/18-20 inches on the longest side). This is small enough for you to rest it on your knees and lean it against your desk, but also large enough to use for medium-sized life drawing on an easel.

Make Your Pencils into Professional Artist’s Equipment.

Friday, August 8th, 2008

How to Make Your Pencils into Professional Artists’ Tools.

This is an essential and fundamental drawing tutorial which shows you explicitly how to sharpen your pencils for use at a professional artist’s level.

First I will start with the technique for traditional wooden (graphite) pencils. After this I will also show you the method for sharpening mechanical pencils.

Many people opt for typical wooden pencils over mechanical pencils because this is what they have become accustomed to using.

Sharpened wooden pencil

A traditional wooden graphite pencil sharpened to a professional artists standard.

Ode on a Grecian Urn (1819) by John Keats. Beauty is truth, truth beauty.

Friday, August 8th, 2008

Many of us have done our fair share of searching for a definition of “Art”. Some more than others, some with more success than others.

This poem by John Keats is most famous for the following last two lines, generally considered to be linked with the writings of Sir Joshua Reynolds.

This is because the whole technique of allusion, and even short quotation, was fundamental to the neoclassicism in which both Reynolds and his readers had been educated.

“Beauty is truth, truth beauty,” – that is all
Ye know on earth, and all ye need to know.

Loose Figure Sketching – Five Minute Poses

Friday, August 8th, 2008

Life drawing can be very technical, with all the measuring, checking and super-smooth shading techniques. One break-away exercise from this is very short life poses. I’ve put a few recent 5-minute sketches into this post.

Five minute partial life pose 01

Half a figure is really enough to cope with for these short poses, essentially capturing the gesture of the pose and if there’s time, some spontaneous construction and articulation. If i’m lucky with how the speed sketch has gone, I have time for some basic tone.

Five minute partial life pose 02

Of course it is possible to grab a quick snapshot of the entire pose, but this is more difficult and can just become a useless scribble.

Improve Your Drawing Skills With Daily Shape Exercises

Friday, August 8th, 2008

This quick and easy drawing tutorial will show you how to set up a 10 – 20 minute daily drawing exercise routine called Shape Exercises.

If you can only manage a couple of days a week, it will still benefit you.

Shape exercises are really simple and effective drawing exercises that help you train your eyes to draw the abstract shapes that make up what you see in real life.

(Obviously), this is especially useful for life or figure drawing, still life and quick outdoor sketching.

Five abstract shapes drawn from various shape exercises

A sample of completed Shape Exercises. Copying abstract shapes by eye can make a real difference to your life drawing.

From Line Drawing to Light and Shade (Chiaroscuro)

Friday, August 8th, 2008

As you have no doubt seen with hieroglyphics, early Egyptian wall paintings were outlines that had tinted colourings, and the earliest known wall sculpture was an incised outline.

After these outlines had been used to convey form for centuries, people gradually began to carve out the surface of the wall between these outlines, modelling in low relief.

Chiaroscuro Study of a Young Woman Facing Away, by Antoine Watteau, from an original drawing in the collection of Charles Ricketts and Charles Shannon.

Chiaroscuro Study of a Young Woman Facing Away, by Antoine Watteau, from an original drawing in the collection of Charles Ricketts and Charles Shannon.

Maybe it was this that suggested to the artist painting their outline to shade between the outlines. This subtle suggestion of form, using an outline that was lightly shaded was the only technique used up until Leonardo, who was the first genius to seriously perceive light and shade.

Searching for the Meaning of Art. Truth and Beauty.

Friday, August 8th, 2008

The visible world is to the artist, as it were, a wonderful garment, at times revealing to them the Beyond, the Inner Truth there is in all things.

They have a consciousness of some correspondence with something the other side of visible things and dimly felt through them, a “still, small voice” which he is impelled to interpret to man.

A Grecian Urn from around 500 B.C.

A Grecian Urn from around 500 B.C.

In the 1819 ‘Ode on a Grecian Urn’ by John Keats ( read the entire poem here ), the most discussed two lines in all of Keats’s poetry say:

“Beauty is truth, truth beauty,” – that is all
Ye know on earth, and all ye need to know.

Realistic Drawing Techniques – Head Portraits

Thursday, August 7th, 2008

Many artists and potential artists spend years striving to be able to draw realistic faces.

Some people achieve this goal but many do not, only getting increasingly frustrated with what can be boiled down to a process of both creative and methodical techniques.

This process is demonstrated step-by-step in the following tutorial, taking you explicitly through the stages of creating the portrait drawing below.

Anyone should be able to follow this tutorial successfully.

Closeup of the face on the finished realistic head portrait, drawn in pencil by Peter McClory

Closeup of the face on the finished realistic head portrait, drawn in pencil by Peter McClory

This tutorial will take you through the stages of copying a photo of a persons face (without tracing). This will also help you to learn how to draw someone’s portrait in real life.