Academic Figure Drawing Tutorial 1 >> page 3
The comparison between vertical and horizontal measurements ensures that the figure in the drawing is not too thin, wide, short, or long. By constantly comparing horizontal and vertical observational measurements to these same proportional measurements in the drawing as it progresses, it is possible to ensure that the drawing stays in proportion to the visual observation.

A variety of large and small measurements are taken from the figure, and compared both horizontally and vertically. It is always good to take some large measurements, for example the mid-point of the figure, and marking the corresponding mid-point on (or offset from) the drawn plumb-line.
Eventually, a number of faint crosses (placements) are drawn, resembling key landmarks on the figure, which have been measured and checked. These landmarks can frequently be the top and sides of the head; mid-point of the figure; the bottom and sides of the feet; knees, elbows, shoulders and other parts that outline visible forms of the figure.
Gesture Drawing Stage
The measured placement crosses are used as an accurate guide for the gesture drawing, which aims to be a concise and simple depiction of the figures’ gesture. The pencil should be used as gracefully and lightly as possible. Generally, ghostly C-curves and S-curves can be used alone with a minimal number of small straight lines for more complex areas. The largest curves should always be drawn first, as they will govern the poses’ gesture. It is adviseable to practice this stage with tracing paper fixed with masking tape over reproductions of master figure drawings and paintings. Here are more examples of my gesture drawings.











